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Dark Sun - Wikipedia. Dark Sun is an original Dungeons & Dragonscampaign setting set in the fictional, post- apocalyptic desert world of Athas. The traditional fantasy races and character classes were altered or omitted to better suit the setting's darker themes. Dark Sun differs further in that the game has no deities, arcane magic is reviled for causing the planet's current ecological fragility, and psionics are extremely common due to a tie- in with the 1.

Complete Psionics Handbook. The game designers wanted to capture the feel of the original 1. Many former variant classes such as elemental priests, gladiators, and templars were replaced with these character themes.

The working title of this setting was . With the exception of Denning and Kirchoff, design veterans such as David . The majority of project members were freshmen to TSR, though not necessarily to the industry (Winter having worked at GDW).

Winter also suggested the idea of a desert landscape. TSR worried about this concept, wondering how to market a product that lacked any familiar elements. Eventually, elves, dwarves, and dragons returned but in warped variations of their standard AD& D 2nd Edition counterparts. The designers actually credit this reversion as a pivotal change that launched the project in a new direction. However, poor sales for Battlesystem soon stopped any further inclusion in Dark Sun products.

Set a decade after the first boxed set, the Revised And Expanded boxed set released in 1. Prism Pentad novels. It featured an updated .

I was doing paintings before they were even writing about the setting. I'd do a painting or a sketch, and the designers wrote those characters and ideas into the story. I was very involved in the development process. From dragons to spell- casting, from character classes to gold pieces, this ties familiar AD& D conventions into knots, resulting in one of the most fascinating and original game worlds that TSR has ever produced. When TSR released its product schedule in Dragon #2.

December 1. 99. 6) no Dark Sun products were included. Designer Kevin Melka claimed that another halfling product, a book on the dwarves, and a book on the Order were part of his official proposals for 1. An invasion of the Kreen Empire was also being considered, according to Melka, along with the mystery of the Messenger, and a product on the Silt Sea to expand the world further prior to the line's cancellation.

This version took place three hundred years after the last published setting details and sought to return the setting's in- game metaplot to something closer to the original boxed set. This version also provided rules and setting details for the new third edition player character races such as elans and maenads. It was a rules only conversion that provided everything needed to play in the Dark Sun world through the non- epic levels.

Athas. org was also given permission to convert and release two unpublished second edition source books, Dregoth Ascending(2. Terrors of the Dead Lands (2.

TSR's unpublished Secrets of the Deadlands. The sorcerer- king Kalak is dead and Tyr is a free city- state but the future of Athas beyond that is up to the players. Game designer Richard Baker said the design team wanted the game to begin when Athas had the most possibilities for adventure. Effort was made, however, to ensure that these more generic elements stayed true to the unique feel of the setting. Themes were a third way to define a player character identity through archetypes or careers allowing them to more clearly describe their place or role within the world. Some variant classes central to the previous editions, such as gladiators, templars, and elemental priests, were introduced as themes.

Themes proved very popular and were widely adopted in other settings. In previous editions, Athas had a setting specific cosmology that was isolated from the rest of the D& D universe making it nearly impossible to access via other planes or spacelanes. These fan sites grew to such a size and scale during the 1. TSR filed legal paper work against them for infringing on their copyright. TSR eventually relented after fan outcry and established a formal fan site dedicated to Dark Sun fan creations.

Christopher W. Richeson of RPG. The reviewer was critical of the source book reporting that it felt . Novels and source books largely take place in Tyr Region though other areas are described for a play such as the Ringing Mountains and the Jagged Cliffs. The game likely takes place on a single continent, but the exact landmass configuration of the planet or the existence of other continents is unknown. Athas has a single, crimson sun and two moons named Ral and Guthay. Dark Sun features a number of important distinguishing features that differentiate it from other Dungeons and Dragons campaign settings.

The brutal climate and the oppressive rule of the sorcerer- kings have created a corrupt, blood thirsty, and desperate culture that leaves little room for chivalric virtues common to fantasy settings (hence why paladins are excluded from the setting). As a result, wizards and other arcane casters are despised and must practice in secret. Psionics are extremely common with nearly every living thing having at least a modicum of psionic ability. Due to a scarcity of metal, weapons and armor are made from natural materials such as bone, stone, wood, carapace or obsidian.

The AD& D source material seems to suggests that there weren't ever any gods involved with Athas while the 4th edition setting leaves the option open more explicitly stating that the gods were destroyed or driven away by malevolent elemental spirits, called primordials, at the end of the Green Age. During this era TSR began to expand metaplots in other settings, such as Forgotten Realms, but Dark Sun pioneered the matching of fiction and adventure modules to engender and advance metaplots. The culmination of the tangled metaplot was summarized in Beyond The Prism Pentad (1. Some advances in the metaplot were controversial among fans as such releases such as Mind Lords of the Last Sea, and Windriders of the Jagged Cliffs explicitly introduced more science fiction elements, such as the lifeshaping magics of the halflings and isolated psionic utopias, that had previously only been hinted at. The third edition advancements of the metaplot from Paizo located the setting three hundred years after the events of the Prism Pentad.

The designers of the fourth edition campaign setting chose to turn the clock back on the metaplot and condense it to something similar to the original 1. While not a full reboot the designers sought to capture the essence of the first release while allowing for players to explore the setting anew through the new rules set. Second Edition. According to this account the planet progressed through several ages roughly corresponding to the color of the sun and the state of the planet. Ages described are the Blue Age, the Green Age, the Red Age, and the age originally designed for play known variously as the Age of the Sorcerer- Kings, or the Heroic Age. Halflings ruled Athas during this time, building a powerful civilization. They were nature- masters and life- shapers, able to produce anything they needed by manipulating the principles of nature itself. While most of the halfling nature- masters worked in concert with the environment, some attempted to push boundaries in order to make nature bend in ways it was never meant.

The Wanderer claims the Blue Age lasted an unspecified amount of time and attempts to see past the Green Age using magic or psionics have been unsuccessful. Regardless, it came to an end by accident. The experiment failed, however, and the sea became choked with a toxic brown tide that spread across the waters killing everything it touched. The Rebirth. The Pristine Tower changed the sun from blue to yellow and its light burned away the brown tide but it also changed the planet.